What day does Emily choose to relive?

twelfth birthday
Mrs. Gibbs advises her to choose an unimportant day. Emily compromises by choosing to relive her twelfth birthday. In this section, Wilder demonstrates the difference between the living and the dead.

Who dies in Act 3 our town?

At the end of the intermission, Mrs. Gibbs, Simon Stimson, Mrs. Soames, and Wally Webb, among others, take their seats. All of these characters have died in the intervening years between Act II and Act III, and the stage has become the local cemetery, situated at the top of a hill overlooking Grover’s Corners.

What is the setting of Act III?

Act III begins in the Salem meeting house. The court questions and accuses Martha Corey of witchcraft. Giles Corey interrupts the court proceedings and declares that Thomas Putnam is “reaching out for land!” He is removed from the courtroom and taken to the vestry room.

How does this day begin as compared to the day in the first act?

How does this day begin as a compared to the day in the first act? It starts out almost exactly the same, with the exception that Si Crowell is delivering papers now instead of his brother, and Howie has to leave extra milk for the wedding guests for Mrs. Webb and Mrs. Gibbs.

Is Emily dead in our town?

Emily has died from giving birth to her second child. She goes to the cemetery plot where her body will rest.

What year does our town end?

The play tells the story of the fictional American small town of Grover’s Corners between 1901 and 1913 through the everyday lives of its citizens.

How old is Emily in Act 3 of our town?

Wistfully, Emily, who is only twenty-six at the time of her death, realizes that she is out of place in the familiar scene.

Where does act 3 take place in Merchant of Venice?

Summary and Analysis Act III: Scene 3 In Venice, Antonio has been allowed to leave the jail, accompanied by his jailer. He hopes to speak with Shylock and plead for mercy, but Shylock refuses to listen.

Do George and Emily kiss in our town?

After George and Emily exchange rings and a kiss, the scene freezes briefly in a tableau, and the Stage Manager, still acting as the clergyman, muses about the number of couples he has married over time. Without cynicism, he remarks that one in a thousand wedding ceremonies is interesting.